In one of his article in 1939, Mao Dun indicated the writing theme of Midnight was to explain one question——China was not marching on the way of capitalism, but came to be more semi-colonized under the oppression of the imperialism.
在写于1939年的一篇文章中,茅盾指出创作《子夜》是为了说明一个问题:中国并没有走向资本主义发展的道路,中国在帝国主义的压迫下,是更加半殖民地化了。
Leading Films Adapted from Masterpieces in Different Historical Periods: Sang Hu s Adapting Art through New Year s Sacrifice and Midnight;
不同历史时期名著改编的领军之作——从《祝福》、《子夜》看桑弧的电影改编艺术
